Blog

Greek & Turk, take 2

April 20th, 2010

The saga of the face on the yoghurt container continues. It is also an interesting insight into the often convoluted path an image can take from the initial exposure to print, a path ripe for mishaps. The Swedish newspaper Aftonbladet did some digging to find the whole story. Read article from Aftonbladet here (in Swedish).

According to Aftonbladet, the man in the picture is Greek and likes to dress in folk costume and pose for photographs by tourists. He says those pictures are only for private use, suggesting that he never signed a photo release. Apparently, this image is not new on the package, but has been used for 8 years. It took a Greek man living in Stockholm, who happened to spot the container and recognize his good friend from back home, to set the wheels in motion.

Back to how the image got to the yoghurt container. Somehow the photographer placed the image with the Spanish image bank AGE. They in turn bundled the image with a number of others. The stock photo agency IMS in turn sells that package to clients who use the images in their materials.

As a photographer, I am well aware of the need for model releases. As a stock photo user, I find that I have to trust the agency I purchase an image from, since they never supply a copy of any model release with the image I download or get on disc. Instead they will indicate in their terms that images are model released (If I don’t see that language in there, I will go elsewhere to buy a picture). I am not so sure that most clients understand the whole thing about model releases — they just know they want that image on their materials.

In the case at hand, it certainly appears that the dairy company acted in good faith. They purchased an image package and were led to believe that they had the rights to use the image. Somewhere along the line, the image of this man in a folk costume got labeled “Turk”.

So how do clients and designers protect themselves against this type of issues? The best solution (but not always practical) is to have images custom made. Then you can control the permissions and releases. Plus the image used on your materials/product, is not going to show up on something totally different next week.

The next best is to use a stock photo agency you trust and very carefully read through their terms. Do they warrant that the images they sell all are model released? If you have questions, ask before committing to a particular image.

In the case of the Greek man who didn’t want to be known as a Turk, the saga goes on and eventually the courts may have their say on it.

Claes

Link to BBC article about the now infamous yoghurt container

Greek ≠ Turk

April 9th, 2010
The yoghurt container (the man’s eyes have been hidden to protect his identity)

The yoghurt container (the man’s eyes have been hidden to protect his identity)

Here is a legal nightmare. Let’s say you have a dairy that makes yoghurt. Turkish yoghurt. Well, since you are not in Turkey we can discuss the “Turkish” part (maybe you got the recipe from your Great-Great-Grandmother who was from Istanbul). At any rate, the yoghurt is marketed as “Turkish yoghurt”. So you want a face on the packaging. Someone who looks Turkish. Alright, you go to a stock photo agency and do a search for “Turkish”. You find a picture, purchase it and stick it in your design. Your yoghurt goes out in the stores, the money rolls in, all is well.

Or not. Turns out the guy in the picture is really Greek. Now we all know what that means. He does not want to be labelled “Turk”. So he does the only reasonable thing. Well, that would be to call the photographer who took the picture of him and get the keywords at the stock agency changed.

OK, so he doesn’t do the only reasonable thing. Instead he calls his lawyer and sues the dairy for massive damages. 

Not making this one up. It really just happened in Sweden. The guy is suing the dairy for SEK50 million (about $7 million).

And if I was the dairy, I would now be going after the stock agency and the photographer. The man in the picture at some point signed a release, which should cover most uses. The end user (the dairy) purchased the image based on the representation from the stock agency (and possibly the photographer, depending on who assigned the key words).

I’ll be interested to see how this case works out. In the meantime, it serves as a reminder that those stock photo images are of real people and we as users of those images need to consider that to some extent, although I still have a hard time considering being on a container of Turkish yoghurt in Sweden to be defamatory.

Claes

Link to the Swedish news article on Sydsvenskan.se

New book gets its own website

March 25th, 2010

www.NephilimWatch.com website

New book = new website. Little Rock author John Giessmann’s novel An Angel of Obedience just hit bookstores. To promote the book, John contacted us to create a new website for it. www.NephilimWatch.com was launched just in time for book signings and promotion really taking off. On the site you can learn more about the main characters of the book, take a quiz to see if you are connected to the story, explore Rockabilly music, and of course buy the book.

Shortly after the new site went live, John sent me this email: “I’ve had emails from a huge number of people complementing me on my cool website. It’s looking great.” John, it was a pleasure working with you on this project. All the best to you and to the success of your book.

Claes

Film & Company produced video starts out press conference

March 1st, 2010

When Southwest Power Pool held a press conference announcing plans for their new headquarters, they chose to show Introduction to Southwest Power Pool, a video we recently created for them.

Southwest Power Pool last year decided to tell their story in a video. It seems that many people are confused about who they are and what they do. “Power” is in the name, but it’s not a power generating utility. And they don’t own transmission lines to get the power to the customer. Yet, without SPP, you wouldn’t have electricity at your house or business if you live in their 11 state service area.

The 6.5 minute video cuts through the confusion to highlight the history of SPP and what they actually do today (hint: Think of them as the air traffic controller of electricity for the region). The video uses historical images and new, high definition video to tell the story. It also includes animations of the transmission grid and timelapse video. Immediately on release, the video was distributed on DVD around the service area, as well as included on the SPP website.

Then at the end of February, when SPP held a press conference to announce their new headquarters in Little Rock, the video was shown up front to give the audience a quick overview and understanding of SPP’s importance to the region. TV station KTHV even used clips from the video (including an animation of the service area and transmission lines) in their news reports.

The video is produced in high definition, allowing high quality scaling for DVD release, as well as for web and mobile devices.

Claes

Roadblocks

February 4th, 2010

roadblockSome days there are just too many things to do and nothing gets done, even though I worked hard all day. Sound familiar?

Even with good planning (and yeah, we all have that), we have those days. When I hit a stretch like that recently, I decided to try something a little different. Yes, I keep the usual to do list and a calendar and deadlines for client projects. And I was meeting the deadlines, but still didn’t feel like things were progressing with other projects.

That’s when I decided to make one more list — of obstacles. This list was an honest look at everything on my project list, to identify the obstacles or roadblocks to progress. Half an hour later, I had a list of 5 or 6 specific items. I realized that in some cases, I’d been putting those items off for a while, because they seemed so big and complicated.

Now armed with a list of those roadblock items, I decided to give them extra priority over the next few weeks, and figured out a starting point for each. So far, I’ve been able to knock half of them off the list and in the process feel more creative about my other work as well.

Claes

The myth is announced

January 28th, 2010

The new iPad from AppleApple has finally unveiled the latest gadget: the iPad. But that is not really the most interesting thing. Rather the interest lies in how for months on end rumors and speculations have been ever more rampant. Someone knew for sure that Apple was going to unveil a netbook. Analysts insisted that unless Apple dove into that low (no) profit market segment, the company would cease to exist. And because some have made their own netbook hackintoshes (making Mac OS X run on a plain vanilla PC), we were ensured that Apple would enter that arena.

Then there was the ebook reader. Surely Apple needs to corner that market. When they didn’t get there first, the commentators cried doom and gloom. Or the coming Apple tablet would save the magazine and newspaper industry. Take your pick.

Recently there were speculations about what features the iSlate (certainly to be revealed by Apple on January 27) would contain. One commentator suggested that the magic machine would have up to 10 slots for tiny memory cards, each card holding a book. I wonder what rock that person has been sleeping under. Hello, this is 2010! Books are downloadable.

Then came the announcement and if the collective voices prior were about how the Apple iTablet would be the ultimate gadget to change the course of human history, now those collective voices seem all focused on the letdown that the iPad was. It doesn’t … or … or … They even say the name isn’t cool enough.

A few days ago, I wondered how even Steve Jobs’ presentation skills and Apple design could possibly live up to all the hype invested in the then mythological device. Of course the answer is, nothing could live up to the hype, to what everyone knew the device would be able to do. So of course there is now a letdown and disappointment.

Meanwhile, Apple is releasing a real product and time will tell if or how it is a game changer. I think it could be, and I also think it is showing us an interface direction for the future: more touch interfaces, on notebooks and eventually even on desktops.

From what I’ve seen so far, it could be a great tool to take to client meetings where you don’t want to appear to be setting up office by hauling out the old laptop computer. If I can show my demo reel or run a presentation from it, all the better. It may even have its place on a location shoot, where access to script and other documents is necessary and a laptop is just too cumbersome, but the trusty iPhone is not enough.

I know I look forward to actually trying one out. I guess it really was too much to ask for Steve Jobs to say “and it is shipping today.”

Claes

28 days

January 8th, 2010

Another 28 days is the new measure of a pound of flesh. At least that’s what it seems like after the Warner Brothers and Netflix agreement that means all those movies in your (and my) queue that we are waiting for to release on DVD and Blu-ray are now going to be quarantined for 28 days from the disc release date before Netflix will ship them to us.

I wrote about this whole idea last fall when the negotiations were underway.

After reading the announcement (read article here), which only affects Netflix at this point, I understand the reason for this change, though I still think it is ultimately a bad idea for everyone, especially the viewing public (that being all of us who pay money for movies). Warner sets a prejudice. There is no doubt in my mind that other studios will follow, or that Blockbuster (if they are still around by then) will also be delaying rentals. The ultimate goal here is Redbox and other dollar box rentals. But maybe the Redbox kiosks are built like a 1950s refrigerator, which we, thanks to Indiana Jones, know can withstand a nuclear blast, so they may find a way to survive when their fare of current releases all of a sudden dries up for 4 weeks after disc release.

Netflix no doubt feels some heat from the box rentals too, which would explain their willingness to go along with the studios.

I am just not convinced that delaying rentals is really going to make all of us run out and purchase the DVDs and Blu-rays at release price the day they come out. First off, I certainly don’t buy a movie sight unseen. So unless I saw it in theatre and have been on pins and needles for 6 months or so, waiting for it to release on disc, I am not going to buy it until I see it. But wait, now I have to wait longer until Netflix will send it to me, so it will be longer before I go buy it. Maybe there will be another cool movie out by then. Any life insurance salesman could tell the studios that the last thing you want to do is make people wait to give you their money. They just might see things differently in the morning and decide to not spend the money.

On the other hand, I have received DVDs from Netflix on the day they were released, watched the movie, decided that it should go in my permanent collection and purchased it right away. I guess Warner Bros. doesn’t mind waiting longer for me to do that now.

And since this is all about the studios being concerned about their revenue stream (at least that’s what we’re told), why are we not seeing headlines that Warner and the other studios are leaning on Wal-Mart to do away with the $5 bins? After all, so many movies end up there eventually that many people (me included) at times make the decision to wait to purchase a movie on DVD until it shows up in the bin?

Claes

The value of proofing and checking

December 18th, 2009

Links are great, and we all use them in print, videos, and on webpages. At least they are great until a link turns out to go some place other than you thought. That is what happened to the publishers of Lyckoslanten (which translates as “the lucky coin”). This is a magazine published for children ages 9-12 by Swedbank, a major Swedish savings bank. It contains articles geared to help kids learn to manage their money. Link to the story published in Swedish.

In a recent issue, someone decided to do an article featuring a list of the 10 most expensive internet addresses sold. Unfortunately, it seems no one bothered to actually check those web addresses before printing the article. Turns out one of them goes to a site that sells streaming porn. Not what you really want to include in a magazine teaching fiscal responsibility to kids.

I doubt this will be enough of a faux pas to kill the 83 year old magazine, but it certainly was a major PR disaster for the bank.

Of course, all this could have been avoided if someone had actually tested the links before printing them. So the good word of the day is to always proof links that you include in any of your materials. And don’t just read the link — actually click on it, or if in print, copy the link, paste it into a browser and make sure the webpage that shows up is what you intended. It won’t always be as bad as in the case above, but even one missed character can turn a perfectly working link into an error message. And that is certainly not what you want for your readers or viewers to experience.

Also know that when creating materials — print, video or web — at Film & Company we do actually follow links to make sure they work as expected. We know you’d want nothing less.

Claes

Strut your stuff

December 17th, 2009

Playing a nice, high quality video draws attention to your POS or event display like few other things (possibly short of a carnival barker). Yet I am sure you have also seen monitors showing nothing at all or just a menu or worse yet, the blue screen of death.

The first step to a video display that does its job well is to make sure it plays video all the time. Relying on the human factor to restart the video from time to time is asking for trouble. Life is full of interruptions, which all are likely to leave the screen ending up dark. The good news is that one or more videos can easily be programmed to play in a preset sequence, repeating endlessly, for as long as there is power coming into the monitor and player.

The next step is to make the video look its very best. When flat screen LCD TVs first came on the scene, we all found out just how bad standard definition video really looks. What was okay on a tube TV, became downright ugly on a LCD. And ugly is not what you want to show customers.

Again technology came to the rescue. With high definition screens readily available, DVD players began to offer upconverting of that standard video, resulting in an image that, while not as good as full high definition on Blu-ray, still looks very sharp and will draw looks. In fact, you may be quite amazed at the result.

All you need is a high definition TV with a built in (or external) upconverting DVD player or Blu-ray player and a DVD that is programmed to play the content of your choice in the right order, looping for as long as you want it to. The really good news is that this solution doesn’t cost very much to put in place and is low maintenance.

We can help you with programming your content DVD, either using video you already have or producing new content or a combination of both, as well as with getting the right equipment in place and running smoothly.

Claes

ShareFest video wins gold

December 8th, 2009

Ava Award statuette 2009Film & Company produced ShareFest wins 2009 Gold Ava Award. The Ava Awards just released the 2009 winners in their annual international media competition. There were almost 1700 entries from the US and other countries in this year’s competition.

ShareFest is actually 4 videos: a recruiting video for pastors, a long and short promo video for churches and a long video that tells the ShareFest story looking forward and outward. Primary use for this last version is with people from other communities who have heard about ShareFest and are interested in bringing the event to their community.

The long video is approximately 7:45 long with a common body and customized endings for use with different audiences and different calls to action. The short version is about 3:30.

ShareFest logo and title montageIn the late 1990’s pastors in the Little Rock area came together to pray about what they could do for their city and its needs. That birthed the idea to gather volunteers and organizations for a day of massive outreach in the city. ShareFest was born (sharefest.org). 2008 marked the 10th annual ShareFest in Little Rock and the folks at the Nehemiah Group, who organize the event each year and get churches and organizations involved, wanted not just a promo, but something that would capture the story of 10 years here in Little Rock, and reflecting how the event has spread around the US and internationally.

When I was approached to capture that story, I knew that there was a wealth of material to draw from. I spent many hours in research, locating old footage and stills and capturing it onto hard drives for editing. Footage formats ranged from Beta to miniDV, DVCAM and DVCPRO to VHS and DVD.

The archive footage also included interviews from years past that we used clips from. A series of new interviews were shot with several key people who have been involved in ShareFest over many years. I was also able to interview a pastor from Guatemala City who has initiated ShareFest there, and get footage from their first event.

ShareFest work projectFor added punch, I turned to a narrator team, rather than a single voice. Jim and Carol Shores of Acts of Renewal (actsofrenewal.com) are accomplished actors and added a whole new layer of energy to the narration.

In the end, the result was a video that is a fitting tribute to the original ShareFest’s 10th anniversary and the difference it has made in the lives of countless people in every city where it has been held, as well as an engaging call for viewers to get involved.

Receiving an award for this video is an honor and recognition of the care and attention we put into every media product that is created at Film & Company.

In addition to this blog post, you can also watch the video on the Film & Company portfolio webpage and on our demo DVD.

Claes

brown color bar