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The manufacturing plant

December 19th, 2011

Recently I spent a day video recording the entire production process in a manufacturing plant, starting with the raw materials and following the production line to the finished product, ready to ship out.

Video was actually shot at several manufacturing plants and production companies in New York, Kansas City and here in Little Rock were working on the project. The result will be a video for use as part of this company’s effort to show a major client that not only are they doing an excellent job with the contract they have, but they should also be entrusted with a continued and expanded contract.

The shoot itself was fun, as the plant manager gave me very free range to record anything that struck my fancy on the production line. I found impressive wide shots as well as intriguing details of product, machines and the workers that make it happen.

Driving home from the shoot, I got to thinking about the effort this company is expending to secure future contracts from one client. Shooting video at several locations around the US and having a team work around the clock to edit it for the formal presentation does come with a significant price tag.

The company could have decided to just do a PowerPoint presentation and a quick walking tour of one of their plants. In fact, I am sure they will do all that, but they wanted a video too. Because the video can, in just a few minutes, show what would take much longer to explain and also take the client into places that would not be accessible or particularly visible on a plant tour. Obviously the folks at corporate decided that spending some money to expand their business with this client will be well worth it.

Many companies don’t have have nearly the resources that this corporation does, but that doesn’t mean that a video of the production process or service isn’t needed or a good investment. Because a well-crafted video will convey more, with greater emotional impact, in a few minutes, than most meeting presenters will manage in 20-30 minutes. Even for a small business, gaining just one new client can quickly more than pay for the cost of producing a quality video that tells the company’s story or shows off the product or service. As a bonus, the video can be shown again and again, maybe with some customization for a particular new potential client.

One platinum, one gold

December 13th, 2011

Empixx award statuettes: platinum and goldIt’s an honor to receive an award. It’s a double honor to receive two awards. I am proud to announce that Film & Company produced SPP Team Work and Introduction to SPP videos won Empixx Awards this year.

The Empixx Awards is a competition for innovative TV and video production that this year drew over 1,100 entries from all around the US and Canada. The list of clients whose productions were recognized includes top names in industry and entertainment, as well as educational institutions and smaller businesses. I am pleased to say that Southwest Power Pool is in very good company here. Similarly, the production companies represented range from big Hollywood and New York players to much smaller boutique shops and anything in-between.

A unique feature of the Empixx Awards is that all entries receive written feedback. In many competitions, that is not the case. For me as a producer and film maker, that feedback in invaluable, as it gives me insight into what caught the eyes of the judges (good and bad) and lets me evaluate the techniques and production approaches I use for their effectiveness. So the awards process not only gives recognition to work I’ve done already, but also helps me improve my future work. It’s a win-win.

Now for the videos that won:

SPP team video — click to playSPP Team Work is the video that could. It was supposed to be a short video to introduce a team building training. It was created on a really tight schedule (read more here). And it was only supposed to be used once.

Then it was such a success at the event that the client decided to use it for other trainings and events throughout the year.

The Empixx judges agreed and gave it a Platinum award, indicating that it scored among the very top videos in this competition.

SPP intro video — click to playAn Introduction to SPP received a Gold Award, adding another recognition for this video that encapsulates the who, what, where and why of Southwest Power Pool in 6.5 minutes. This video already received a Gold Award in the Marcom Awards last year.

I am proud and thankful to have received the 2 awards. The awards signify the level of creativity and craftsmanship you can expect from Film & Company LLC. There’s of course no way to guarantee that the next video for certain will be an award-winner, but I will certainly give it the same touch …

Fading away

November 9th, 2011

Adobe is ending development of mobile Flash. Could that mean that Apple was right in banning it from iPhone and iPad? It would seem so. Other mobile devices have claimed Flash compatibility, but based on user reports, the experience is mostly sub-par.

It’s been no secret that Flash on desktop computers is a resource hog. Yes, it does cool things, making websites sing and dance. But it’s often more like a carnival show full of smoke and mirrors, than adding real functionality. Sure, it’s cool that I can zoom around a site and get fancy page transitions and all. At least until I try to access that site from a network that is, shall we say, limited on bandwidth. All of a sudden, the dazzling imagery grinds to a halt, unless you consider watching a spinning load indicator to be entertaining. If that is the norm on desktop computers, is it any wonder than the experience is less satisfying on mobile devices where processing power is more limited?

In a world where websites are accessed not only from desktop computers connected to a fast network, but increasingly from mobile devices, it makes sense to create a website such that it displays well on the largest number of devices. Obviously Adobe is finally admitting that the user experience of Flash is not going to be optimal in the reasonable future and so they are pulling back. That has to raise the question if this pull back is the beginning of the end for Flash. I am sure Flash will still be around for a long time, but something has fundamentally changed and I think we will gradually see fewer Flash based websites. Not just the sites that are built 100% in Flash, but also the ones that insist on using Flash as soon as they show an image or a video, but otherwise use html, php and such to build their sites.

It’s been said that we are entering a post-PC world and in it, Flash just no longer makes sense.

DVDs and the user experience

October 11th, 2011

Enjoying a good movie is sometimes quite difficult. The other day I plopped a DVD in the player, expecting to sit down and watch a movie I had been looking forward to seeing. Instead I got an exercise in frustration. Seems that someone at the studio (20th Century Fox, are you listening?) had the brilliant idea that they really, really want everyone to enjoy all the previews for other movies from their studio. So much so, that they disabled all the playback controls, except play, stop and pause. No way to get to the menu. No way to fast forward or skip to the next chapter. Talk about a captive audience. This went on for about 10 minutes.

I fully understand why studios put trailers for other movies on DVDs. I’ve run across new movies that way myself. So obviously it can be a good thing. But is it good to stick them on there and provide no way whatsoever to get to the main menu without playing all the trailers in real time? No, for so many reasons. Consider just a few: The DVD gets stopped, for whatever reason. Start over, play all the trailers. Power failure. Same thing. I already watched the movie and the trailers and would like to just watch the movie again. Sorry, you have to watch all the trailers first.

Fortunately, there are many DVDs created with either a direct way to get to the menu and the movie, or at least the ability to click through chapters and get to the menu that way. The designers of those DVDs understood the very legitimate need for viewers to be able to bypass the start-up content.

Sometimes it’s the little things that make a difference between a good user experience and one that ends in utter frustration …

How much is that video I imagine?

June 15th, 2011

on the set of recording an interviewHow much is that video I imagine?

The question always comes up when talking about a potential video project. At times it’s even the first question.

Budgets for theatrical movies cover reams of paper. Even a detailed budget for a much smaller production can go on at great length. There are so many items to include: Preparation, location scouting, script research and writing, talent, makeup, crew, camera(s), lights, travel, food, lodging, film or other recording media, editing, computers, music, narration, graphics, stock photo and video, distribution media and copies. And that is just a partial list. Not every production needs all of those items, but the point is that it is very hard to give a $$ number when what will go into the video hasn’t yet been determined.

You may have heard people mention numbers, like $3000 per finished minute, or was that $2000 or even $1000? Actually, those numbers can be helpful in finding a ball park figure to base further refining on. Certainly there is a difference between what can go into a video that costs $3000 per finished minute to produce and one that can only cost $1000 per finished minute.

Part of what I provide my clients when we talk about a potential project, is my experience at bringing excellent value to the production at a reasonable cost. I look for the very best use of the client’s budget.

It is important to not stare blindly at that per minute number. Consider how the video will be used. Is it going to facilitate sales to the tune of $10,000 or $1,000,000? How long will it be used? Is it for a one-time event or will it be the face of the client company/organization for years to come?

In conversation about the potential project, it is quite helpful if the prospective client, knows the scope of his/her budget. It is a very quick way to break the whole process when client and producer have wildly divergent ideas of what this project should cost.

Ultimately, creating a good video has a lot to do with vision — shared vision among all the involved. Only then can we together tailor a project that will truly deliver a video that meets the client’s communication needs at a reasonable price.

A potential indie movie script

May 26th, 2011

The other day a creative friend from the Big Apple handed me an indie movie script and asked for feedback. I enjoy reading a new script while trying to visualize the words on the page. I’m also immediately thinking camera angles, locations (with an indie film — read low budget — that means “how many?” and “can they reasonably be had?”) and other production details.

Some would, I am sure, prefer to leave that out until later, and that may be fine if you are George Lucas or Peter Jackson. For most indie movies, cost is always an issue and so the trick is to tell a compelling story in a way that doesn’t kill the project over locations or other production realities. For instance, chase scene with car crashes on major freeway in a metropolitan area is really not going to happen. But you could cover attending an opera by having your characters conversing outside the building, while opera music plays on the sound track (Annie Hall did that and did away with needing interior shots and a large audience of extras, not to mention performers).

After I finished the script, I talked with my friend about the story, its highs and lows, and potential production issues. Since the script is in revision 1, there is still plenty of time to address those pitfalls long before the story is set in stone. By having that dialog now, the script (and eventually film) will end up stronger in the end.

What’s next with this project? The script is now going back to the writer for draft #2. Maybe in a year or so, it will be in production. Time will tell if the schedule holds. With some refining of the story and the right locations for the shoot, the potential is there for a great indie movie.

Kicking off a training event

May 17th, 2011

SPP team video — click to play

It started with a phone call. Southwest Power Pool had a training event on teamwork coming up and no video to kick it off. Could I help? BTW, the event was less than 2 weeks away. No, there was no footage recorded. But I could find stock footage, couldn’t I? With a military theme? And one more thing: An aircraft carrier. Because of all the teamwork involved in getting planes into the air in that tight space. Plus those jets catapulting into the air look really, really cool.

Can do.

From the client’s draft, I wrote the final script and contacted a narrator I knew would be perfect for this project. He recorded from his studio outside LA as soon as the script was final.

With notes about what type of footage or shots I needed, I set out to scour the internet for stock footage and images that fit the bill (and the budget), as well as my own archives. I knew I had footage of fire trucks rushing through Manhattan in there.

But what about the aircraft carrier? I found some stills. Then I hit jackpot. Via a Swedish company I found footage shot on a US aircraft carrier that showed planes taking off and the flight deck crew and pilots interacting. I ordered the footage. The download would be available within 24 hours. It wasn’t. Time ticking away. Several emails to the guy in Sweden, 7 hours ahead on the clock, finally got us past several IT issues and the footage finally downloaded.
Monday morning. The event is Wednesday. Client gets to review. A few changes: Can we replace some of the images with less military images? Sure can. New images are downloaded and dropped into the animations.

Tuesday rolls around and I deliver the final video in several formats to make sure playback at the event will be smooth.

After the event I learned that the video was very well received and helped kick off the event in style. If that was the end of the story, life would be good. One more thing though: The HR department liked the video so much, they will use it at other events and trainings throughout the year. Score.

150 years of history in one website

April 7th, 2011

website billebergastation.comBillebergaStation.com (site in Swedish with an English summary) recently launched as the place online for information and images from the railroad station in Billeberga, Sweden. Actually, the scope is bigger than just one station: The site also covers the railroad lines that the station services.

The site was born out of research that I have done over the years, starting when I grew up near the station. Now it’s time to make that research available to a wider audience.

But I didn’t want to make it just another site with a little bit of information and a few pictures. Instead BillebergaStation.com is designed to grow as more information becomes available. Already, several other people are generously contributing information and photos from their collections to make this a truly collaborative effort.

The design is intentionally very fluid, so that as more information is added, the site can grow and morph to present text and pictures in the best manner for each sub-topic. Already several topical pages allow visitors to easily learn more about specific areas. This all works well because at the heart of the website is a database that contains all the information. In tech speak: a Content Management System (CMS).

article in magazine "Skånska Järnvägar"In time for the website launch, I also wrote a 12-page article about the train station that was published in the Swedish magazine Skånska Järnvägar. (Link)

While this particular site is in Swedish, the way it handles content, serving it up in a variety of ways to make it more accessible and keeping it fully searchable, can be put to use in any language and for businesses or non-profits or anyone who needs a site that blends design with content management. The site is also scalable, allowing it to grow seamlessly as the volume of content on the site grows. That last part is essential, because while I designed the site and am busy researching and writing content for it, I truly don’t know where the project will be in size and scope a year from now, and that is the exciting part: to build a website that will grow and mature and take on a life of its own.

Internet Explorer: Begone from my sight!

March 28th, 2011

Web designers have struggled with Internet Explorer 6 for years. It seemed like it was the web browser that refused to die. When it came out 10 years ago, it wasn’t the greatest, for that was a time when Microsoft thought they could reinvent the Internet.

As a result, we had sites that only worked with IE 6. More recently the issue has been that sites that are standards compliant and work fine in a range of browsers and on multiple platforms, all of a sudden display random quirks and oddities, or refuse to work, when viewed in Internet Explorer 6.

screencapture of Internet Explorer 6 Countdown websiteSo as a web designer, I have to first create the website and then fix it to work the way it is designed in Internet Explorer 6, just to ensure a good viewing experience. Well, finally that can stop. Microsoft says so. In fact, they have started a campaign to get use of IE 6 to under 1% and are asking websites to insert a banner on their sites that will only display when the site is viewed in IE 6, hopefully helping to prompt the last holdouts to make the upgrade.

For private users, there is no reason not to upgrade. There are several excellent web browsers, available as free downloads. Since an up-to-date browser is safer, it’s a no-brainer to upgrade.

For corporate users, the argument against upgrading is sometimes that they invested in some application that relies on IE 6 and IE 6 only. To those IT departments I can only say: Really?! Who, in their right mind, installs anything computer and then lets it run for 10 years with no upgrades? Really? Didn’t Y2K teach us anything?

Anyway, I am thankful that my job as a web designer just got a little more fun. Because as of right now, I am not worrying about compatibility with IE 6 any more. That tedious time can now get spent on creative designs for the client that give the site visitor a better experience at the website. Everyone wins.

A photo says so much …

January 26th, 2011

Contact sheet of negative film strips

A photo is worth a thousand words, they say. Recently I’ve been digging through my old archives to find just the right images to illustrate a historical research article I’m writing for publication later this spring. I have thousands of images shot over many years and the trick is to find the ones out of the whole that specifically relate to the topic of the article.

So far I’m doing pretty well, meaning the article will have a good range of visuals. The interesting thing is that illustrating a magazine article is not at all what I had in mind when originally taking the pictures. At the time they were simply documenting everyday activities and places. 30 years later, those places are irrevocably changed and the activities are different as well. My fotos have become slices of time, capturing a world that once was. In this capacity, each photo has so many stories to tell. Some are big, and some very small, maybe down to a fashion detail on the clothing of a person in the picture.

In businesses and organizations we often forget the full story an image can tell. Pictures are shot based on our need today, not for the story they can tell years from now. Yet one day that story may become quite important. It may be just months from now, or years from now. So shooting images for today is good. Keeping posterity in mind and capturing a few extra just in case, can be even better.

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